Lecture
Modernity
& Modernism - Richard Mills
Remember: 24th sept - 15th jan V&A post modernism style
subversion 1970 - 90
Terms:
modern, modernity - brings a change of culture - industrialization,
urbanization - the city
modern
artists response to the city
psychology
and subjective experience
modern
art and photography
defining
‘modernism’ in art
John
Ruskin - 1819-1900
wrote
book called Modern Painters - used it as ‘the now’
new
woman - improvement on traditional woman - now capable of doing manual labour,
working, voting etc
new
- describing it as progression
term
shifts and meaning - improvement of quality
Paris
1900, the signs of modernity
Paris
was most modern city at the time, competition with Britain ‘who was more
modern’ - to be later replaced by New York
urban
and modern was rapidly different at the time, modernity said to be finished in
its 60s
‘How
can modernism of ended’ people say ‘we live in post modernism’
urbanization
farming
is now heavy industry
urbanization
brings density of people to city - a mass of people together that don’t know
each other
life
speeds up due to invention of trains, whole country now accessible in hours
invention
of phone
new
sites of leisure, cinema etc, forms of distraction, bikes, electricity
Trottoir
Roullant - electric moving walkaway - 7km n hour, allows people to
interact with the city
London
Crystal Palace, great exhibition
attempt
to beat paris
cultural
race who can be most cultural city between Paris and London
enlightenment
project - basically where world starts to turn to science and philosophy
instead of religion in late 18th century (thinking made leaps and bounds)
City
becomes social life, where everything happens, the hub, a character itself, and
an object study due to social dynamics
railways
becoming national and international, countries agree on world time, people ran
days by solar clock, increased density of population increases alienation and
loneliness
fashion
starts to become a key signifier of yourself, you have to find ways to identify
and express yourself
Haussmanisation
Paris
1950’s on - a new paris
old
Paris architecture of narrow streets and run down housing is ripped out
haussman (city architect) redesigns paris
form
of social control interesting side effect - modernizing paris
peoples
interactions start to change, electric street lights come in.
growth
of psychology late 1800s
people
worried with inventions, would eventually make people go mad - effecting
artists work
throughout
period of modernity - direct change to society - almost forced art into a
different place
society
modernizes art - NOT modernizing society
bring
out interactions with people
painting
by Surat?
modern
scene suggestions of prostitution
juxtaposed
dots and colors
technique
developed by optical sciences, a new discovery especially in art
Surat
2
factory
workers, with factory behind them, shift work ends so relaxing (free time)
life
becomes rational, sneaking in on a break whilst rich go by on their boats -
class separation
photography
changes what painters does
kaiserpanorama
1883
mass
optical viewing devise
sit
on chair (like peep show) and view images of landscapes
what
it represents - psychology - why people chose to pay to do that
instead of go seeing the sites themselves
we
get our understanding and see life through a television and the internet
isolated,
individualized - modern phenomenon - changes world not always for the better
Max
Nordau - book degeneration 1892
contemporary
critics worried about changes of society - people seeing modern world as bad -
others celebrated it
max
predicted ‘the end of the 20th century will probably see a generation of whom
it will not be injurious to read a dozen square yard of newspapers daily (yes
internet) - to be constantly called to the telephone, to be thinking
simultaneously of the 5 continents of the world, to live half their time in a
railway carriage, or in a flying machine and... know to find their ease in the
mist...
The
Lumiere brothers - radical - people had not seen anything like it. They showed
a train coming to a stop at a platform - the audience ran away thinking it was
coming at them! never had seen film before.
if
we start to think about the subjective experience (the experience of the
person/ individual and thoughts of themselves in modern world) we come close to
understanding modern art and experience of modernity - modernism emerges out of
the subjective response of artists.
modernism
in art/design
its
emerging of changing the world
the
same change occurs in design, which will respond to the world and whats
happening at the time.
anti
- historicism (always looks forward) moderns better/good (and doesn’t look
back)
truth
to materials (let materials speak for themselves)
form
follows function (beauty follows its function)
technology
internationalism
Adolf
Loos (1908) wrote an essay - ornament is crime
truth
to materials, simple geometric forms appropriate to the material being used,
form follows function
Bau
Haus - foundation school in Dessau
was
a modern building, big windows, wall is nothing but concrete, new font
technology
new
materials; concrete, new technologies of steel, plastics, aluminum, reinforced
glass
mass
production
reinforced
resin and steel to design the modern hill shoes for women
conclusion
the
term modern is not a neutral term - suggests novelty and improvement
modernity
(1750-1960) - social and cultural experience
modernism
- range of ideas and styles that sprang from modernity
importance
of modernism: 1) a vocab of styles. 2) art and design education. 3) idea of
form follows function
Seminar
Continued with Gary Barker
Modernism
as abstraction
reference:
Letlye
color box (1935)
Mary
Ellen Bute, color rhapsodie (1948)
Oskar
Fischinger designing Disney’s Fantasia/ Worked for Walt Disney (hidden under
walt)
Modernism
and the myth of artists
Vincent
Van Gosh
John
Brapby - one of the first portrait commissions was to paint Coronation Street.
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